When you list every event you’ve identified in a person’s life, you see in one place what you’ve learned, which sources provided the information, which questions remain and where discrepancies need to be resolved. USING AEON TIMELINE FOR GENEALOGY FULL54, showing Elizabeth, age 41.” If you do abbreviate the citation, be sure to include the full documentation elsewhere in your notes. 358, family 54, household of Isaac Croom (including Elizabeth, age 41).” An abbreviated citation could read, “1850 census, Caddo Parish, La., p. For example, the full citation for Elizabeth Croom’s estimated birth date of 1808-1809 could read, “1850 US census, roll 230, Caddo Parish, Louisiana, p. Entries in this column can be full or abbreviated citations. DocumentationĬiting your sources is essential. Remember that an important genealogy strategy is to use the “known,” including places, to work toward the “unknown” family facts. Recording the place is important because you’ll want to look for additional documents in each locality. An event description can be as brief as “born somewhere in Alabama,” or it can be several sentences telling a family story. If you have questions about specific details, use qualifiers such as likely and probably to explain your uncertainty (for example, “born April 6, probably in New York”). Include any information you uncover about the ancestor, such as birth and death, religious milestones, education, employment, military service, marriage(s) and land transactions. If a census reports an incorrect age, record the reported age in the events column, not the age column. This column will keep you alert to errors and discrepancies-such as a child being born two years before her mother, or a boy enlisting in the army at age 4. Use the abbreviation c or ca (from the Latin circa, meaning “about”) to show an estimated age-for example, c 37 (about 37). When you don’t have a specific birth date, censuses and other records can help you narrow the possibilities. Record the person’s age at the time of each event. Write the date of each event in the ancestor’s life in chronological order. My preferred format has four columns: Date A spreadsheet or a table in a word processing document provides unlimited space and can be updated easily. You’ll find a template for these timelines in The Unpuzzling Your Past Workbook (Betterway Books).īefore you find a lot of information on that person, you might want to create a timeline on your computer. Personal timelinesĪs you begin to focus your research on an individual, create a chronological profile of that person’s life that you can expand as you learn more. Read on to learn how you can create timelines for your family. These tools can help you organize, plan and evaluate your research by showing at a glance what you’ve learned, what information is missing and where you could turn next. To see them in these contexts, try creating personal, family and historical timelines. They were real people who experienced life in the contexts of their families and communities. Your ancestors were more than just names and dates. Family Tree Templates and Relationship Charts.Best UK, Irish and Commonwealth Genealogy Websites.Best African American Genealogy Websites.Surnames: Family Search Tips and Surname Origins.Preserving Old Photos of Your Family History. USING AEON TIMELINE FOR GENEALOGY HOW TOHow to Find Your Ancestor’s US Military Records.Revealing the connection between their practice and the multiple temporal lines present via home video appropriation, this essay offers a critical rethinking of nostalgia and anachronism-aesthetically, culturally, and theoretically-through the site of two artists’ moving-image practice. Drawing upon the writing of philosopher Jacques Rancière, anachronies simultaneously configure multiple temporal lines, instilling an ever-changing transformation of personal history, cultural memory, and historical thinking in the present. While the return to would-be outmoded or obsolescent technologies is typically tinged with the romanticism of nostalgia, their work pushes through the traps of nostalgia and opens into the times of anachronies. Utilizing home video’s time-shifting properties, Fast and Robinson returned to home video purchases of cinema and television programs-respectively, The Terminator and Full House-as well as to analog technologies at a moment when they were being eclipsed by the digital. Fast’s T3–AEON (2000) and Robinson’s Light Is Waiting (2007) stand as representative of home video appropriation. This essay offers a close reading of two rarely discussed videos by moving-image artists Omer Fast and Michael Robinson.
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